{"id":130,"date":"2010-11-20T17:35:57","date_gmt":"2010-11-20T17:35:57","guid":{"rendered":"http:\/\/www.ricardoiglesias.net\/wordpress\/?p=130"},"modified":"2021-05-25T14:55:13","modified_gmt":"2021-05-25T13:55:13","slug":"in-the-dark-2003","status":"publish","type":"post","link":"https:\/\/www.ricardoiglesias.net\/en\/2010\/11\/in-the-dark-2003\/","title":{"rendered":"In the Dark"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-131\" title=\"in the Dark\" src=\"http:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2010\/12\/in_the_dark_01.jpg\" alt=\"in the Dark\" width=\"570\" height=\"420\" srcset=\"https:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2010\/12\/in_the_dark_01.jpg 570w, https:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2010\/12\/in_the_dark_01-190x140.jpg 190w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-531\" title=\"in_the_dark_03\" src=\"http:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2010\/11\/in_the_dark_03.jpg\" alt=\"\" width=\"570\" height=\"420\" srcset=\"https:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2010\/11\/in_the_dark_03.jpg 570w, https:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2010\/11\/in_the_dark_03-190x140.jpg 190w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><em><strong>In the Dark<\/strong><\/em> (2003)<\/p>\n<p><em>Concept<\/em><br \/>\nThe use of automatic means in order to obtain information, in the current process of recording and control, does not involve that the system lacks a subjective intention and therefore can also manipulate the information it deals with.\u00a0 The mechanical monitoring devices, at local level &#8211; street videocamaras \u2013 or at planetary level &#8211; airplanes controled by video cameras or spy satellites \u2013 induce to us to detach controllers from the machine that they control, placing them in the comfortable dark from where to exert its function better.<\/p>\n<p><em>Project<\/em><br \/>\nThe telepresence enabled by monitoring systems is not innocent, it exists a clear intentionality and concrete economic, political, surveillance or military subjects which eventually decide where cameras must be placed the camera, in what direction their cone of vision must be directed, what and for how long they must survey.<\/p>\n<p>En colaboraci\u00f3n con Gerald Kogler<\/p>\n<p><a href=\"http:\/\/www.mediainterventions.net\/inthedark\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.mediainterventions.net\/inthedark<\/a><\/p>\n<ul>\n<li><em><a href=\"http:\/\/www.laneomudejar.com\/net-art-y-control-ricardo-iglesias\/\" target=\"_blank\" rel=\"noopener noreferrer\">Net.Art y Control<\/a><\/em>. (retrospective) La Neomudejar. Madrid, 2017.<\/li>\n<li>Antigua Casa Haiku. Barcelona, 2010-2011.<\/li>\n<li><em>Fuera de control.<\/em> IX Open Zemos:\u00a0 Sevilla, 2007.<\/li>\n<li><em>Soles Negros. tot el dia \u00e9s de nit<\/em>. La Escocesa. Barcelona, 2007.<\/li>\n<li>FILE. Electronic International Festival. R\u00edo de Janeiro (Brasil), 2006.<\/li>\n<li><em>BCN, t`ho Porto, BCN to Porto<\/em>. Maush\u00e1bitos. Oporto, 2004.<\/li>\n<li>Feria de Arte Contemporaneo, ARCO. Galer\u00eda Vanguardia. Madrid, 2004.<\/li>\n<li>LOOP\u00b400. Art Barcelona. Galer\u00eda Metropolitana. Barcelona, 2003.<\/li>\n<li>Jornada d\u2019Activitats i Mostra Multim\u00e8dia. Centro Cultural Golferichs. Barcelona \/\/MediaLab. Centro Cultural Conde Duque. Madrid \/\/ Media Sonoridad Amarilla. Buenos Aires (Argentina), 2003.<\/li>\n<li>Casa das Artes, Oporto \/\/ Riereta, Barcelona, 2003. Galer\u00eda Exteril.<\/li>\n<li><em>Net.Art y Control<\/em> (retrospective) La Neomudejar. Madrid, 2017.<\/li>\n<\/ul>\n<div id=\"link64_adl_tabid\" style=\"display: none;\" data-url=\"http:\/\/www.ricardoiglesias.net\/wp-admin\/post.php?post=130&#038;action=edit\">1765<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In the Dark (2003) Concept The use of automatic means in order to obtain information, in the current process of recording and control, does not involve that the system lacks\u2026 <span class=\"read-btn\"><a class=\"read-more\" href=\"https:\/\/www.ricardoiglesias.net\/en\/2010\/11\/in-the-dark-2003\/\">Read More &rarr;<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":328,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,16,28],"tags":[],"class_list":["post-130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-net-art","category-control","category-installation"],"_links":{"self":[{"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/posts\/130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/comments?post=130"}],"version-history":[{"count":36,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/posts\/130\/revisions"}],"predecessor-version":[{"id":2069,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/posts\/130\/revisions\/2069"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/media\/328"}],"wp:attachment":[{"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/media?parent=130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/categories?post=130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/tags?post=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}