{"id":6,"date":"2007-11-23T17:55:21","date_gmt":"2007-11-23T15:55:21","guid":{"rendered":"http:\/\/mediainterventions.net\/riglesias\/?p=6"},"modified":"2020-10-12T12:09:01","modified_gmt":"2020-10-12T11:09:01","slug":"referencias-1999","status":"publish","type":"post","link":"https:\/\/www.ricardoiglesias.net\/en\/2007\/11\/referencias-1999\/","title":{"rendered":"Referencias"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-212 size-full\" title=\"Referencias\" src=\"https:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2007\/11\/referencias_01.gif\" alt=\"Referencias\" width=\"570\" height=\"420\" srcset=\"https:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2007\/11\/referencias_01.gif 570w, https:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2007\/11\/referencias_01-190x140.gif 190w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-586\" title=\"Referencias 02\" src=\"http:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2007\/11\/referencias_02.jpg\" alt=\"\" width=\"570\" height=\"420\" srcset=\"https:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2007\/11\/referencias_02.jpg 570w, https:\/\/www.ricardoiglesias.net\/wp-content\/uploads\/2007\/11\/referencias_02-190x140.jpg 190w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><em><strong>Referencias<\/strong><\/em> (1999)<\/p>\n<p><em><span id=\"result_box\" class=\"\" lang=\"en\"><span class=\"\">From one plane to another, relationships and networks are immediately knotted, such that we better understand the differences between these planes, but then we will proceed by trying everything on the same plane: someone passing by, a nomad who sets out to conquer something &#8230; <\/span><\/span><\/em>Gilles Deleuze<\/p>\n<p>Referencias uses various approaches to recursive and fractal systems, submergingthe user, as the browsing proceeds, into a series of stories whose narrators are the stories themselves. These stories share several basic traits &#8211; which constitute the connection between one another &#8211; but touch upon different topics, closely related to the development of society in the modern world: space, time, the constitutive elements of matter, hierarchies, music, mathematics, machines\u2026<\/p>\n<p>The elements that form these stories work at two different levels: on the one hand, as if they were independent atoms of information; on the other, as part of more complex structures. Each one of these stories allows the user to control a different level of interactivity in a long process, which involves the search, and questioning of the elements at hand within a labyrinthine system of links.<\/p>\n<p><a href=\"http:\/\/www.ricardoiglesias.net\/referencias\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.ricardoiglesias.net\/referencias<\/a><\/p>\n<ul>\n<li><em><a href=\"http:\/\/www.laneomudejar.com\/net-art-y-control-ricardo-iglesias\/\" target=\"_blank\" rel=\"noopener noreferrer\">Net.Art y Control<\/a><\/em>. (retrospective) La Neomudejar. Madrid, 2017.<\/li>\n<li><em>BCN, t`ho Porto, BCN to Porto<\/em>. Maush\u00e1bitos. Oporto, 2004.<\/li>\n<li>X Festival Internacional de V\u00eddeo y Multimedia de Canarias. Las Palmas de Gran Canaria, 2002.<\/li>\n<li><strong><em>Adquirida por el MEIAC-Museo Iberoamericano de Arte Contempor\u00e1neo<\/em><\/strong>. Galer\u00eda Virtual. Badajoz, 2002.<\/li>\n<li><em>Net.artmadrid.net<\/em>. ARCO2001. Madrid, 2001.<\/li>\n<li><em>Log-os. Site de arte en la red<\/em>. Pabell\u00f3n de Espa\u00f1a. Exposici\u00f3n Universal de Hannover. Hannover, 2000.<\/li>\n<li>Webby Prize Competition. Museo de Arte Moderno. San Francisco (USA), 2000.<\/li>\n<li>Galer\u00eda Virtual. MEIAC-Museo Iberoamericano de Arte Contempor\u00e1neo. Presentaci\u00f3n en ARCO 2000. Madrid, 2000.<\/li>\n<li>Medi@terra Festival of Art and Technology. Atenas, 1999.<\/li>\n<li>Festival de Creaci\u00f3n Audiovisual de Navarra. Pamplona, 1999.<\/li>\n<li>II Muestra de Artes y Medios Digitales. Casona Municipal de Cultura. C\u00f3rdoba (Argentina), 1999.<\/li>\n<li><em>V\u00e9rtigos: artes audiovisuales on-line\/off-line<\/em>. Ministerio de Trabajo y Asuntos Sociales. INJUVE. Madrid, 1999.<\/li>\n<li><em>Net_Condition<\/em>. MECAD. Sabadell (BCN), ZKM-Zentrum f\u00fcr Kunst und Medientechnologie (Karlsrhuhe), ICC-InterCommunication Center (Tokyo) Steirischer Herbst99 (Graz), 1999.<\/li>\n<\/ul>\n<div id=\"link64_adl_tabid\" style=\"display: none;\" data-url=\"http:\/\/www.ricardoiglesias.net\/wp-admin\/post.php?post=6&#038;action=edit\">1375<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Referencias (1999) From one plane to another, relationships and networks are immediately knotted, such that we better understand the differences between these planes, but then we will proceed by trying\u2026 <span class=\"read-btn\"><a class=\"read-more\" href=\"https:\/\/www.ricardoiglesias.net\/en\/2007\/11\/referencias-1999\/\">Read More &rarr;<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":212,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[6],"class_list":["post-6","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-net-art","tag-netart"],"_links":{"self":[{"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/posts\/6","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/comments?post=6"}],"version-history":[{"count":40,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/posts\/6\/revisions"}],"predecessor-version":[{"id":1593,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/posts\/6\/revisions\/1593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/media\/212"}],"wp:attachment":[{"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/media?parent=6"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/categories?post=6"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ricardoiglesias.net\/en\/wp-json\/wp\/v2\/tags?post=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}